
Contact details
- Name:
- Dr Kavyta Raghunandan
- Qualifications:
- BA(Hons); PGCE (Greenwich); MA (Leeds); PhD (Leeds)
- Position/Fellowship type:
- Senior Lecturer in Race and Education
- Fellowship term:
- 03-Feb-2014 to 31-Jan-2025
- Institute:
- Institute of Commonwealth Studies
- Home institution:
- Institute of Commonwealth Studies
- Email address:
- kayrag@hotmail.com
Research Summary and Profile
- Research interests:
- Communities, Classes, Races, Culture, Gender studies, Social Sciences
- Regions:
- Asia, Caribbean, England, United Kingdom
- Summary of research interests and expertise:
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Kavyta is a Senior Lecturer in Race and Education. She gained her first degree in Modern Languages, an MA in Gender Studies and received a PhD in Sociology from the University of Leeds. Her doctoral thesis explored the performativity of Indian raced and gendered identities in the postcolonial Caribbean island nation of Trinidad and Tobago and was largely influenced by a black feminist ethnographic approach. Her teaching, writing and research interests lie in intersectional ways of thinking through race, gender and sexuality from multiple platforms whether academic, popular culture or social. Her work, so far, has been on the body, the politics of beauty, mixed race and South Asian cultural studies.
- Project summary relevant to Fellowship:
Currently, she is working on a deracialisation transnational project funded by the Swedish Research Council to counter the contemporary dynamics of racialisation across Sweden, South Africa, Brazil and the UK. Specifically, she is working on the context of South Africa. She is also Course leader for a MA in Race, Education and Decolonial Thought.
- Publication Details
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Related publications/articles:
Date Details 01-Dec-2024 Dougla Poetics: Orientations of Indianness and Mixedness in Trinidad Monographs
The category of the Dougla, that is the mixed Indian/Black body located in Trinidad, exists at a crossroads between multiculturalist discourses and essentialist ideas of Indian and African identities. Racialisation is often erased under the deployment of hybridity, creolisation and the ‘callaloo nation’ as meta narratives. Such mixing is seen as quintessentially Trinidadian, yet ontological understandings of race continue to operate as a distinctive marker of difference, particularly in the specifically Indian/Black mixed-race body of the Dougla.
Dougla Poetics: Orientations of Indianness and Mixedness in Trinidad explores the meaning and negotiation of mixedness and the category of Dougla for a group of young Trinidadian women. Dr Kavyta Kay examines race and gender as lived and configured through discursive processes, through a raced gender performativity lens, deployed at the level of aesthetics, nation and culture. Drawing on conversations which took place across a range of religiously inflected and multicultural spaces, Kavyta focuses on these racialised, gendered identities as linked to socially constructed norms and practices, as well as what their talk reveals in terms of fluid and fixed notions of mixing.
Confronting both popular and scholarly debates on the relationships between raced identities, this book acts as a challenging corrective to mixed-race studies which often prioritise Black/white binaries in the Global North while excluding multiracial experiences across the Global South.
06-Jan-2024 Representing Brown Britain: A Review of South Asians in British Comedy Chapters
This chapter considers and critiques how popular ideas of being South Asian, or to put this colloquially, being Brown, have been engaged through screen and stand-up comedy in Britain. It also looks to the potential of comedy as a medium to challenge and/or support dominant discourses as well as articulating new identifications that goes beyond stereotyping, re-orientalising and othering that has long defined South Asian communities in Britain.
05-Dec-2023 It’s Not Just Cricket: (Green) Parks and Recreation in COVID Times Chapters
One, among many, areas of inequality that COVID-19 has placed a spotlight on is access to green spaces. That the nation’s local parks and green spaces have been a lifeline during the pandemic is a widely agreed upon sentiment; yet while these have been invaluable, the Green Space Index released in 2020 revealed that 2.7 million people in Great Britain do not have access to such a space. Additionally, a survey by Friends of the Earth (2020) found that 42 per cent of people of Black, Asian and Minority Ethnic backgrounds live in England’s most green space-derived neighbourhoods. If green spaces enable wellbeing practices such as walking, exercising and playing in the park, then the question of who gets to inhabit these spaces invariably arises. Over the course of the pandemic, recreational cricket, a sport widely played by South Asian communities nationwide in these green spaces, was confronted with this question of access, which further took on an intersectional dimension as we see notions of privilege, race and identity collide in particular ways, and which is explored in this chapter.
05-Dec-2023 COVID-19 and Racism Counter-Stories of Colliding Pandemics Edited Book
This book addresses the prejudices that emerged out of the collision of two pandemics: COVID-19 and racism.
Offering a snapshot of experiences through counter storytelling and micro narratives, this collection assesses the racialised responses to the pandemic and investigates acts of discrimination that have occurred within social, political and historical contexts.
Capturing the divisive discourses which have dominated this contemporary moment, this is a unique and creative resource that shows how structural racism continues to operate insidiously, offering invaluable insights for policy, practice and critical race and ethnic studies.
05-Aug-2019 #Olitz: The Erotics of (E)Racing in Scandal Chapters
This chapter explores the complex interplay of meanings and the discursive practices of race inherent in the erotics of Olitz - a hashtag that largely promoted or 'shipped' the televisual pairing of Olivia Pope and Fitz Williams in the TV show Scandal. This also explores Olivia’s raced and gendered sexuality working silently and steadily throughout the show, in a way that challenges one-dimensional, stereotypical depictions of Black women on screen and this gradually unravels in the eroticized Olitz relationship.
03-Jun-2018 New Indian Nuttahs: Comedy and Cultural Critique in Millennial India Monographs
This book takes a journey into the new and exciting created by a the wave of Indian comedians today, described affectionately here as the New Indian Nuttahs, and looks at what these tell us about identity, “Indianness”, censorship, feminism, diaspora and millennial India. It provides a unique analysis into the growing phenomenon of internet comedy and into a dimension of Indian popular culture which has long been dominated by the traditional film and television industries. Through a mixture of close textual readings of online comedy videos and interviews with content creators and consumers in India, this book provides a fresh perspective on comedy studies in its approach to a global South context from a sociocultural perspective. As a protean form of new media, this has opened up new avenues of articulation, identification and disidentification and as such, this book makes a further contribution to South Asian, communication, media & cultural studies.
06-Sep-2016 Young People in the Digital Age: Metrics of Friendship Chapters
This chapter provides a critical overview of the debates on how new developments in the digital age, such as forms of social media, specifically social networking sites, are influencing the social, cultural, and geographical dimensions of young people’s friendships. As a distinctive aspect of young people’s lives, friendships are regarded as sites of companionship, support, and at times intimacy but can also be fraught with anxieties or difficulties. Social networking sites are new technological platforms that exist explicitly to facilitate the practice of friendship. However, there are diverse opinions in both the scholarly and popular literature on the extent to which these sites and other forms of social media are transforming the nature and meaning of contemporary friendship. A range of commentators also debate in sometimes quite polarizing terms whether the net effects of these new social media are positive and negative. This chapter explores how social media practices shape friendship for young people and argues that it is unproductive to take a binaristic view of the effects of social media as young people in the digital age are diverse in the ways they “do” friendship and in the ways they mobilize newer social resources that have opened up to them.
10-Aug-2016 The Body Contours of Carnival: Mas-Playing and Race in Trinidad Chapters
By problematising the mixed and multicultural image of Carnival, this chapter makes a contribution to Carnival scholarship in its analysis of Indian Trinidadian women’s voices which do not typically feature in Carnival literature. In its drawing upon these voices as epistemological sources, it makes a contribution to wider discourses of race, gender and the nation in the Trinidadian context.
11-Jan-2016 Gazing Grey and the Shading of Female Sexuality Articles
Since the worldwide theatrical release of one of the most talked about films of 2015 on Valentine’s Day weekend, Fifty Shades of Grey has continued to generate immense interest, much as the novel did when first published in 2012. Some of the main sticky points raised, amidst the soaring box office collections, were the flummoxing popularity of the novels and film, a dull plot, lack of chemistry between the protagonists, and the contested representations of gender and sexuality. This article is premised on the idea that female sexuality and female-focused erotic pleasure, in the context of Hollywood cinema, is a contested terrain which throws more shade and less heat to the latter. In this paper, I show that the film’s inability to convey female sexuality and pleasure as an experience rather than ‘to-be-looked-at’ is indicative of the gender politics of Hollywood which legitimises hetero-sexist tropes as I claim the Fifty Shades film does under the guise of a love story. I demonstrate that this film adaptation, while mainly targeted towards a female audience, invariably reifies and upholds the dominant cinematic framework of Hollywood, and that is the male gaze (Mulvey 2003).
04-Mar-2013 Hyphenated identities: Negotiating ‘Indianness’ and being Indo - Trinidadian Journal articles
- Research Projects & Supervisions
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Available for doctoral supervision: Yes